Media Discourse: Representation and Interaction by Mary Talbot PDF

By Mary Talbot

ISBN-10: 0748623477

ISBN-13: 9780748623471

This full of life and available learn of media and discourse combines theoretical mirrored image with empirical engagement, and brings jointly insights from a variety of disciplines. inside of media and cultural stories, the examine of media texts is ruled by way of an unique specialize in illustration. This ebook provides lengthy past due awareness to social interaction.

The publication is split into sections. the 1st outlines key theoretical concerns and ideas, together with informalisation, style hybridisation, positioning, dialogism and discourse. the second one is a sustained interrogation of social interplay in and round media. Re-examining problems with illustration and interplay, it significantly assesses paintings at the para-social and broadcast sociability, then explores special websites of interplay: construction groups, viewers groups and 'interactivity' with audiences.

Key features

The ebook is wealthy with interesting examples related to British and US media, together with radio, tv, magazines and newspapers and their net spin-offs.

It brings jointly insights from dialog research, serious discourse research, cultural experiences and media anthropology.

It is vital analyzing for complex undergraduates and postgraduates doing media stories, verbal exchange and cultural stories and journalism studies.

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Additional resources for Media Discourse: Representation and Interaction

Example text

Morley's subsequent study examined viewing embedded in context, as a set of social relations in households involving accommodation to other family members' preferences. I take up audience issues again in the final section of this chapter (and develop them in terms of community interaction in Chapter 7). The next 46 MEDIA DISCOURSE sections take further the textual aspect of reader positioning. In order to examine `preferred readings' we need to engage with the text offered for the reader's consumption.

And, second, political parties should in any case not be presented to the public like commodities for consumption. (Allan, Atkinson and Montgomery 1995: 372) Anotherstudypointstothetensionsbetweenpropagandaandbiographyin Labour's 1997 election broadcast (Pearce 2001). As a hybrid media genre, party political broadcasts are flexible and responsive to media trends, making them `sensitive registers of social, political and cultural change': In 1959, for example, the Labour broadcasts were consciously designed (byTonyBenn)toresembletheBBC's Tonight ┬▒afast-movingnewsand current affairs programme.

More recent renderings of the TV pastiche genre have used actors rather than puppets, sometimes allegedly misrecognised as the `real thing'. However, in the case of Ali G and Brasseye, itappears tobeinvited participantswho misread genre cues ┬▒ the hoax is at the guests' expense, not the viewers. MTV comedian, Andy Dick plays an imaginary presidential speechwriter who carefully cultivates halting delivery in the President's speeches. Extracts from recordings of actual speeches by Bush are embedded into a spoof interview with his `speechalist'.

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Media Discourse: Representation and Interaction by Mary Talbot


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